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  • 1.
    Henriksen, Line
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Monster2023Ingår i: Reclaiming Technology: A Poetic-Scientific Vocabulary / [ed] James Maguire, Brit Ross Winthereik, Ctrl+Alt+Delete Books , 2023, s. 41-42Kapitel i bok, del av antologi (Övrigt vetenskapligt)
    Ladda ner fulltext (pdf)
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  • 2.
    Henriksen, Line
    et al.
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Wang, Cancan
    IT University of Copenhagen.
    Hello, Twitter Bot!: Towards a Bot Ethics of Response and Responsibility2022Ingår i: Catalyst: Feminism, Theory, Technoscience, E-ISSN 2380-3312, Vol. 8, nr 1, s. 1-22Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    In this paper, we explore the troubles and potentials at stake in the developmentsand deploymentsof lively technologies like Twitter bots, and how they challenge traditional ideas of ethical responsibility. We suggest that there is a tendency for bot ethics to revolve around the desire to differentiate between bot and human, which does not address what we understand to be the cultural anxieties at stake in the blurring boundaries between human and technology. Here we take some tentative steps towards rethinking and reimagining bot-human relationships through a feminist ethics of responsibility as response by taking as our starting point our own experience with bot creation, the Twitter bot “Hello30762308.”The bot was designed to respond with a “hello”to other Twitter users’ #hello, but quickly went in directions not intended by its creators.

    Ladda ner fulltext (pdf)
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  • 3.
    Henriksen, Line
    et al.
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö universitet, Fakulteten för kultur och samhälle (KS), Medea.
    Reimer, Bo
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö universitet, Fakulteten för kultur och samhälle (KS), Medea.
    Romic, Bojana
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Lively Media Technologies: Ethics, Monsters and New Imaginaries for the Future2022Konferensbidrag (Övrigt vetenskapligt)
    Abstract [en]

    With this paper, we suggest a new ethical and conceptual framework for how to enter into companionships with digital technologies and digital creations in an increasingly media dominated society. We argue that such a framework is needed, as recent developments within digital technologies have sparked cultural anxieties concerning the agency and liveliness of such technologies to the extent of creating popular imaginaries of “technologies-as-monsters” (Suchman 2018). Examples of such imaginaries of monstrous technologies can be found within contemporary popular culture, but the ties between the monster and technological developments have a much longer history and have been explored within literature and art for centuries, the most notable example being Mary Shelley's novel Frankenstein: Or the Modern Prometheus (1818/2003). Using discourse and textual analysis, as well as Monster Studies and Feminist Posthumanism, we investigate the legacy of the cultural and scientific imaginary of technologies-as-monsters, and the role played by media in transporting these imaginaries (Jasanoff, 2015). We offer an analysis of contemporary science fiction narratives across media – such as TV, film and novels – and discuss how they influence imaginaries of the technologies of the future. We also propose new methods based on creative writing for rethinking and retelling stories of future co-existence and companionship with techno-monsters. 

    References

    Jasanoff, Sheila (2015) “Future imperfect: Science, Technology, and the Imaginations of Modernity”, pp. 1-34 in Sheila Jasanoff and Sang-Hyun Kim (eds.) Dreamscapes of Modernity. Sociotechnical Imaginaries and the Fabrication of Power. Chicago: University of Chicago Press.

    Shelley, Mary (1818/2003) Frankenstein: Or the Modern Prometheus. London: Penguin.

    Suchman, Lucy (2018) “Frankenstein’s Problem”, pp. 13-18 in Ulrike Schultze, Margunn Aanestad, Magnus Mähring, Carsten Østerlund and Kai Riemer (eds.) Living with Monsters? Social Implications of Algorithmic Phenomena, Hybrid Agency, and the Performativity of Technology. Cham: Springer.

  • 4.
    Henriksen, Line
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Monster2022Ingår i: Chimeras: Inventory of Synthetic Cognition / [ed] Ilan Manouach, Anna Engelhardt, Onassis Stegi Publications , 2022Kapitel i bok, del av antologi (Övrigt vetenskapligt)
  • 5.
    Henriksen, Line
    et al.
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö universitet, Fakulteten för kultur och samhälle (KS), Medea.
    Kjær, Katrine Meldgaard
    IT University of Copenhagen Copenhagen Denmark.
    Blønd, Marie
    Independent Researcher Copenhagen Denmark.
    Cohn, Marisa
    IT University of Copenhagen Copenhagen Denmark.
    Cakici, Baki
    IT University of Copenhagen Copenhagen Denmark.
    Douglas‐Jones, Rachel
    IT University of Copenhagen Copenhagen Denmark.
    Ferreira, Pedro
    IT University of Copenhagen Copenhagen Denmark.
    Feshak, Viktoriya
    Technical University of Munich Munchen Germany.
    Gahoonia, Simy Kaur
    IT University of Copenhagen Copenhagen Denmark.
    Sandbukt, Sunniva
    IT University of Copenhagen Copenhagen Denmark.
    Writing bodies and bodies of text: Thinking vulnerability through monsters2022Ingår i: Gender, Work and Organization, ISSN 0968-6673, E-ISSN 1468-0432, Vol. 29, nr 2, s. 561-574Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    In this article, we suggest approaching writing as a vulnerable practice marked by an unstable boundary between bodies: bodies of text and bodies of writers. We present an exercise-method that we refer to as Monster Writing, which we have developed in order to engage with these instabilities as well as in order to address experiences of difficulty, anxiety and uncertainty in relation with the text and writing process. Though the writing process can at times be exciting and thrilling, and at other times perhaps a little tedious and mundane, for some it also presents (more than) occasional encounters with one's own insecurities, shame and doubt. We argue that this potentially more painful relationship between writer and text should be awarded more attention in scholarship on writing, and that a way of doing so is through the framework of feminist theory on vulnerability, embodiment, and the monstrous. 

    Ladda ner fulltext (pdf)
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  • 6.
    Meldgaard Kjær, Katrine
    et al.
    Technologies in Practice, ETHOS Lab, IT University of Copenhagen.
    Ojala, Mace
    Technologies in Practice, ETHOS Lab, IT University of Copenhagen.
    Henriksen, Line
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö universitet, Fakulteten för kultur och samhälle (KS), Medea.
    Absent Data: Engagements with Absence in a Twitter Collection Process2021Ingår i: Catalyst: Feminism, Theory, Technoscience, E-ISSN 2380-3312, Vol. 7, nr 2, s. 1-21Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This paper considers the ways in which silences and absences are a central part of research that relieson automated data collection from social media or the internet. In recent years, automated data collection driven or supported research methods have gained popularity within the social sciencesand humanities. With thisincrease in popularity, it becomes ever more pertinent to consider how toengage with digital data, and how both engagementand data are situated, messy,and contingent. Based on experiences with “missing”data, thispaper mobilizes the framework of hauntology to make sense of what relationships may be builtwith missing dataand how silences haunt research practices. Ultimately, we argue that it is possible to reimagine absent data not as a limitation but as an invitation to reflect on and establish new methods for working with automated data collections.

    Ladda ner fulltext (pdf)
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  • 7.
    Hellstrand, Ingvil
    et al.
    University of Stavanger, Norway.
    Henriksen, Line
    University of Copenhagen, Denmark.
    Koistinen, Aino-Kaisa
    University of Jyväskylä, Finland.
    McCormack, Donna
    University of Surrey, UK.
    Orning, Sara
    University of Oslo, Norway.
    Collective Voices and the Materialisation of Ideas: Monster as Methods2021Ingår i: Monstrous Ontologies: Politics Ethics Materiality / [ed] Caterina Nirta, Andrea Pavoni, Vernon Press , 2021, s. 143-158Kapitel i bok, del av antologi (Refereegranskat)
  • 8.
    Henriksen, Line
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Ecohauntology2021Övrigt (Övrigt vetenskapligt)
  • 9.
    Henriksen, Line
    IT University Copenhagen.
    Inside the Great Outdoors: A Complete and Unabridged Guide: With Travelogue, Bestiary, Judgement2021Ingår i: Narrating Nonhuman Spaces: Form, Story and Experience Beyond Anthropocentrism / [ed] Marco Caracciolo; Marlene Karlsson Marcussen; David Rodriguez, Routledge, 2021, s. 221-226Kapitel i bok, del av antologi (Refereegranskat)
    Abstract [en]

    This is a guide for those who have:

    Secrets that eat them up from inside

    Unrealistic expectations to the spacetime continuum

    Unfinished business

    A broken heart

     

    Ladda ner fulltext (pdf)
    fulltext
  • 10.
    Henriksen, Line
    et al.
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö universitet, Fakulteten för kultur och samhälle (KS), Medea.
    Meldgaard Kjær, Katrine
    IT University of Copenhagen.
    Ojala, Mace
    IT University of Copenhagen.
    Objektivitet2021Ingår i: Aktørnetværksteori : i praksis / [ed] Irina Papazu; Britt Ross Winthereik, Djøf Forlag , 2021, s. 179-194Kapitel i bok, del av antologi (Refereegranskat)
  • 11.
    Gahoonia, Simy Kaur
    et al.
    IT University of Copenhagen, Copenhagen, Denmark.
    Ferreira, Pedro
    IT University of Copenhagen, Copenhagen, Denmark.
    Cohn, Marisa
    IT University of Copenhagen, Copenhagen, Denmark.
    Henriksen, Line
    IT University of Copenhagen, Copenhagen, Denmark.
    Kjær, Katrine Meldgaard
    IT University of Copenhagen, Copenhagen, Denmark.
    Hockenhull, Michael
    IT University of Copenhagen, Copenhagen, Denmark.
    Cakici, Baki
    IT University of Copenhagen, Copenhagen, Denmark.
    Blønd, Marie
    IT University of Copenhagen, Copenhagen, Denmark.
    Douglas-Jones, Rachel
    IT University of Copenhagen, Copenhagen, Denmark.
    Laursen, Cæcilie Sloth
    IT University of Copenhagen, Copenhagen, Denmark.
    Zell, Sonja
    IT University of Copenhagen, Copenhagen, Denmark.
    Upon Not Opening The Black Box2020Ingår i: CHI EA '20: Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems, ACM Digital Library, 2020Konferensbidrag (Övrigt vetenskapligt)
    Abstract [en]

    On the eve of the General Data Protection Regulation (GDPR) coming into effect we, a university laboratory, marked the occasion with an interactive installation called Compliance. Data traces from Compliance were subsequently processed by the lab, here enacted in the form of a play. While much discussion has centered around modern 'black-boxed' processing of data, less attention has been paid to the value of the data itself, and whether it merits use. We draw on dramaturgical methods for both analysis and presentation [15], allowing for readers to imagine staging their own, different, versions of the event. Drawing on the ambiguous ontological status of (yet unexamined) data, we offer a discussion on the value of data, its use and non-use, as well as how to live with this ambivalence, continuously negotiating social contracts about our further conduct with the data.  

     

  • 12.
    Henriksen, Line
    Centre for Gender Studies, University of Copenhagen, Copenhagen, Denmark.
    ”Fear the Night Sky!”: On the Nightvalian Void and an Ethics of Risk2018Ingår i: Welcome to Night Vale : Podcasting between Weather and the Void / [ed] Jeffrey Andrew Weinstock, Palgrave Macmillan, 2018, s. 121-132Kapitel i bok, del av antologi (Refereegranskat)
    Abstract [en]

    Staring up at the night sky, the host of Night Vale’s community radio wonders about the void behind the stars, “that nothingness that is everything, that everything that is nothing,” as he calls it. This chapter explores the Nightvalian void, which seems to be omnipresent yet indifferent to the humans observing it. It does so by drawing connections to a western cultural and historical imaginary in which tele-technologies—such as radio—were considered to be mediated by the void of the so-called etheric ocean. This void-like ocean was a medium for conquest and exploration, but also a source of anxiety, for, as Cecil puts it, “what if the void is not as void as we thought? What could be coming towards us out of the distance?” There is no simple answer to Cecil’s questions since the void cannot be fully known nor understood. Instead, Welcome to Night Vale seems to suggest that living in the presence of such uncertainty is unavoidable. Exploring the imaginaries of the Nightvalian void, this chapter argues that the podcast does not soothe the anxieties sparked by the void, but instead explores ways to stay with the constant threat—and promise—of the arrival of something out of nothing.

  • 13.
    Hellstrand, Ingvil
    et al.
    University of Stavanger, Norway.
    Henriksen, Line
    University of Copenhagen, Denmark.
    Koistinen, Aino-Kaisa
    University of Jyväskylä, Finland.
    McCormack, Donna
    University of Surrey, United Kingdom.
    Orning, Sara
    Norwegian University of Science and Technology, Norway.
    Promises, Monsters and Methodologies: The Ethics, Politics and Poetics of the Monstrous2018Ingår i: Somatechnics, ISSN 2044-0138, E-ISSN 2044-0146, Vol. 8, nr 2, s. 143-162Artikel i tidskrift (Övrigt vetenskapligt)
  • 14.
    Henriksen, Line
    Center for Gender Studies, University of Copenhagen.
    “Spread the Word”: Creepypasta, Hauntology, and an Ethics of the Curse2018Ingår i: University of Toronto quarterly, ISSN 0042-0247, E-ISSN 1712-5278, Vol. 87, nr 1, s. 266-280Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    According to Internet legend, a cursed JPEG file circulates online, featuring animage of a dog with a much too human grin. If you happen to see this image,the dog will haunt your dreams, asking you to ‘‘spread the word’’ by showing itspicture to someone else, thereby passing on the curse. The story of Smile.dog,which is the demon dog’s name, is a so-called creepypasta – that is, a digitalurban legend. Its curse is therefore a playful one, meant to be circulated as ahoax, but it is also a productive, yet challenging, place to ruminate upon ethics in an era of digital media. Through the lens of Jacques Derrida’s concept of hauntology – a haunted ontology – this article explores what digital monsters and curses might teach us about ethics as a question of responding to that which haunts and hoaxes.

  • 15.
    Henriksen, Line
    University of Copenhagen, Denmark.
    Hjemsøgelsens etik: Hauntologi, creepypasta og digitale forbandelser2017Ingår i: RetorikMagasinet, E-ISSN 2002-7966, nr 105, s. 14-16Artikel i tidskrift (Övrig (populärvetenskap, debatt, mm))
    Abstract [da]

    Rygtet siger at en forbandet JPEG-fil cirkulerer på nettet. Hvis du ser den, vil monsteret Smile.dog hjemsøge dig til du giver filen videre og dermed spreder forbandelsen. Først da vil den lade dig være. Men hvad nu hvis monsteret lyver?

     

  • 16.
    Henriksen, Line
    et al.
    University of Copenhagen.
    Kvistad, Erika
    Orning, Sara
    Monster Pedagogy: A Failing Approach to Teaching and Learning in the University2017Ingår i: Theories of Affect and Concepts in Generic Skills Education: Adventurous Encounters / [ed] Edyta Just, Wera Grahn, Cambridge Scholars Publishing, 2017, s. 29-46Kapitel i bok, del av antologi (Refereegranskat)
  • 17.
    Henriksen, Line
    et al.
    University of Copenhagen.
    Bülow, Morten Hillgaard
    University of Copenhagen.
    Kvistad, Erika
    University of Oslo.
    Monstrous Encounters: Feminist Theory and the Monstrous2017Ingår i: Kvinder, Køn og Forskning, ISSN 0907-6182, E-ISSN 2245-6937, nr 2-3Artikel i tidskrift (Övrigt vetenskapligt)
  • 18.
    Henriksen, Line
    University of Copenhagen.
    Tomrum2017Ingår i: Kulturo, ISSN 1395-4830, Vol. 23, nr 43Artikel i tidskrift (Övrig (populärvetenskap, debatt, mm))
  • 19.
    Henriksen, Line
    et al.
    Linköping University.
    Radomska, Marietta
    Linköping University.
    Missing Links and Non/Human Queerings: An Introduction2015Ingår i: Somatechnics, ISSN 2044-0138, E-ISSN 2044-0146, Vol. 5, nr 2, s. 113-119Artikel i tidskrift (Övrigt vetenskapligt)
  • 20.
    Henriksen, Line
    Tema Genus, Linköping University.
    ‘Come, so that I may Chase you Away!’: On Ghost Hunts and Posthuman Ethics2014Ingår i: Somatechnics, ISSN 2044-0138, E-ISSN 2044-0146, Vol. 4, nr 1, s. 39-52Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    ‘Creepypastas’ are short horror stories that circulate online, spreading through the act of copying and pasting, and often threatening to ‘curse’ the reader in the process. In this article I explore what it might mean to strike up companionship with and show responsibility towards that which is considered non-existent yet, as in the case of creepypasta and its monsters, hauntingly present nonetheless. I do so through the framework of Jacques Derrida's ‘hauntology’ as well as Donna Haraway's work on responsibility as a question of how to respond to the response of the non/human other. The question I would like to ask is this: how might one respond to the response of the non/human other, if the non/human other is considered to not exist?

  • 21.
    Henriksen, Line
    Tema Genus, Linköping University.
    A Short Bestiary of Creatures from the Web2013Ingår i: The Ashgate Research Companion to Paranormal Cultures / [ed] Olu Jenzen, Sally R. Munt, Ashgate, 2013Kapitel i bok, del av antologi (Refereegranskat)
    Abstract [en]

    Medieval bestiaries were encyclopaedias of the beasts of the world, all of which were put on Earth by God to educate Man about the scriptures. Every animal carried a message, which Man could read from its behaviour and appearance, while looking to the bestiaries for guidance. Since the moral teachings that were deducted from the observation of animals had to be readily available to people, the bestiaries would primarily be dealing with creatures that the readers encountered on an everyday basis. After all, ‘what is the good of a lesson that can only be taught by hearsay, relating to a beast that no one has seen in the flesh?’ (Barber 1993: 10). Fantastical creatures were therefore rare inhabitants of the pages of bestiaries, since they roamed fabled territories where few had gone (Barber 1993). This did not mean, however, that monsters had nothing to tell, merely that the messages of monsters were slightly different from those of animals:

    [t]he Latin etymology of the term … monster/monstrum is primarily an object of display … Saint Augustine argued that monstrum is synonymous with prodigum, and thus the monster de-monstrates God’s will, which may or may not be a positive thing. Monstrum can in fact also be associated with moneo, which means to warn. (Braidotti 1996: 135–6. Emphasis in original).

  • 22.
    Henriksen, Line
    Tema Genus, Linköping University.
    Here be monsters: A choreomaniac's companion to thedanse macabre2013Ingår i: Women & Performance, ISSN 0740-770X, E-ISSN 1748-5819, Vol. 23, nr 3, s. 414-423Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Consider this a vade mecum: an invitation to “walk with me” through more or less uncanny terrains of worlds in the making in search, of(f) course, of monsters. The search will be delving into the areas of “creepypasta:” pieces of cursed prose and pictures that circulate online, waiting to contaminate and possess the next reader. Using a theoretical framework of posthuman and feminist theory, not least the work done by Jacques Derrida and Donna Haraway, this vade mecum asks what it might mean to engage ethically with that which is not supposed to exist, but which haunts us nonetheless. In other words: what does it mean to move, live and engage with spectres in digital times?

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