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Comics and history: myth-making in nazi-references
Malmö högskola, Faculty of Culture and Society (KS), School of Arts and Communication (K3).ORCID iD: 0000-0002-2334-6245
2013 (English)In: International Journal of Comic Art, ISSN 1531-6793, Vol. 15, no 1, p. 270-286Article in journal (Refereed) Published
Abstract [en]

The paper sketches the impossibility to tell stories without interfering with collective memory. By focussing on examples that refer to Nazi-Germany, the process of mythisation of historical issues is explained. Genrally, there is no escape from mythisation of figures in popular storytelling: All dealings with specific topics are influenced by the usage of related symbols and the establishment of certain theme-derived stereotypes. To explain e.g. historical living conditions and the erosion and perversion of social values in Nazi-Germany and similar racist-chauvinistic ideologies becomes more and more difficult as one has to contradict firmly established stereotypes and patterns of storytelling.

Place, publisher, year, edition, pages
Drexel Hill , 2013. Vol. 15, no 1, p. 270-286
Keywords [en]
history, mythisation, myth making, storytelling, stereotypes in comics, Nazi villain, historisation, semiosis in comics, collective memory, visual storytelling, super-villains, super-heroes, superheroes, supervillains, genesis of comics figures, concentration camps
National Category
Humanities and the Arts
Identifiers
URN: urn:nbn:se:mau:diva-1503Local ID: 15458OAI: oai:DiVA.org:mau-1503DiVA, id: diva2:1398234
Available from: 2020-02-27 Created: 2020-02-27 Last updated: 2025-10-09Bibliographically approved

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Dittmar, Jakob

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CiteExportLink to record
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Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
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Language
  • de-DE
  • en-GB
  • en-US
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Output format
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