The subject for this thesis is to examine the portrayal of the local farmer in four different museums in Scania. The purpose is to examine these two questions: 1. Which narrative and museal strategies are used in the portrayal of the local farmer by the local history societies? 2. How do the actors of the local societies relate to the living conditions and hierarchies of the rural society of Scania? The source material consists of guided tours and text material from the museums. The theoretical fields consists of history culture, use of history, historical narrative, museology and rural science act as our theoretical fields. Peter Aronsson, Anna Eskilsson and Maria Björkroth act as our main theoretical framework. Our research presents two central discourses in the portrayal of the local farmer. The stories that we have identified in our results are those of success, of exhibitionistic value. Stories that carry elements of success and exhibitionistic value are both desirable and displayed. The stories portrayed are also neglecting the gender aspect. They are genderblind. The local history societies of Scania in the year of 2014 could be seen as museal activities focused more on conservation and nostalgia than on activities aimed at new visitors and the challenges of the present day.