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  • 151.
    Sjöström, Jesper
    Malmö högskola, Lärarutbildningen (LUT), Natur-miljö-samhälle (NMS).
    Kemi i massmedia2008Inngår i: Kemivärlden Biotech med Kemisk Tidskrift, nr 10Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Allmänhetens bild av kemi formas till stor del av dagspress och massmedia. Därför är det intressant att se hur deras rapportering ser ut.

  • 152.
    Smolicki, Jacek
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    You Press the Button, We Do the Rest. Personal Archiving in Capture Culture2018Inngår i: Towards a Philosophy of Digital Media / [ed] Alberto Romele, Enrico Terrone, Springer, 2018, s. 77-100Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    In today’s abundance of media technological devices we engage in capturing ever more detailed aspects of everyday lives. Due to the constant state of connectivity with human and non-human actors of the network society, the boundaries between voluntary and involuntary capture and archiving become ever more blurred. In the context of ubiquitous technologies we have become at once micro-archivists and micro-archives, or, differently put, subjects and objects of pervasively radiating micro-temporal of the arts in relation to Bernard of capture, mediation and storage of our digitized life-bits. In this chapter, the author problematizes this state of the arts in relation to Bernard Stiegler’s concepts of mnemotechniques and mnemotechnologies. The transition from one to the other can be seen as a mutation from low-tech manual techniques of handling one’s memory to large-scale, automated mnemonic industries which, while providing immediate solutions for capturing and organizing the flows of memories, simultaneously benefit from them economically. The author argues that mnemotechnologies concerned with capturing have been eroding the use and significance of the term “recording”. He demonstrates this erosion along the trajectory from amateur practices of snap-shooting (enabled first by mass-produced cameras such as the Brownie) to ubiquitous computing of digital snapshots such as Facebook. What follows this discussion is a brief turn toward counter-practices that attempt to disrupt this current techno-political condition. Drawing on the concept of the post-digital, which through its call for a return to craft seems to correspond with the notion of mnemotechnique, as an epilogue to this chapter, the author speculates on alternative itineraries for how capturing and archiving practices can be re-invented today. 

  • 153.
    Stedt, Lotten
    et al.
    Malmö universitet, Fakulteten för teknik och samhälle (TS), Institutionen för datavetenskap och medieteknik (DVMT).
    Vutolen, Cajsa
    Malmö universitet, Fakulteten för teknik och samhälle (TS), Institutionen för datavetenskap och medieteknik (DVMT).
    Daily stand up meetings - hiss eller diss?2022Independent thesis Basic level (degree of Bachelor), 12 hpOppgave
    Abstract [sv]

    Syftet med studien är att beskriva hur agila team upplever digitala DSM samt kartlägga vilka tekniska ochsociala behov som uppfylls och/eller saknas. De teman som undersöktes var hur digitala DSMgenomfördes praktiskt, vilka tekniska verktyg som användes samt vilken social inverkan det hade påteamet. För att ge riktning åt studien skrevs tre forskningsfrågor med tillhörande tre hypoteser sombaseras på tidigare forskning. Hypoteserna som utformades löd; (H1) vid digitala DSM behöver fler än detre centrala frågorna diskuteras, (H2) funktioner som simulerar den fysiska arbetsplatsen är bärande för ettfungerande digitalt DSM och (H3) minskad informell kommunikation vid distansarbete kompenseras avatt digitala DSM utökas i tid. Studien har genomförts genom att samla in data från en webbaserad enkätsom skickades ut med hjälp av grindvaktare till flera agila team. Enkäten bestod av både kvalitativafritextfrågor och kvantitativa flervalsfrågor som baserades på Theory of distances (Bjarnason et al., 2016),en sammanställning av intergroup theory samt tidigare forskning. Resultatet visade att små skillnaderfanns mellan traditionella och digitala DSM. Hybrid-varianter, minskad informell kommunikation ochbrist på heltäckande funktioner ansågs vara den största utmaningen med digitala DSM. Fördelarnaupplevdes olika beroende på personliga förutsättningar hos respondenterna. Slutsatserna som kunde drasav studien var att det saknades funktioner för att stödja synlighet av emotioner och kroppsspråk men attfunktioner, som skärmdelning, gav en gemensam bild av projektet. Den informella kommunikationenbehöver aktivt inkluderas vid digitala DSM vilket gör att digitala DSM blir längre än traditionella. Vidareforskning hade kunnat fokusera på virtuella mötesrum som en del av lösningen på identifierade problem.

    Fulltekst (pdf)
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  • 154.
    Stoencheva, Jullietta
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    The Manosphere Travels East: Constructing Misogynist Social Identities On a Bulgarian Online Platform2022Independent thesis Advanced level (degree of Master (Two Years)), 80 poäng / 120 hpOppgave
    Abstract [en]

    Following a series of terrorist attacks, online communities for men built around misogyny and resistance to feminist values – commonly known as the manosphere – have recently become subject of scholarly attention. In research, the manosphere is usually explored as a phenomenon in the Western world, often described as a backlash movement in countries where gender equality is most progressive. This thesis seeks to widen the geographical borders of manosphere research by exploring discursive articulations of tropes related to the international manosphere on an open-access Bulgarian online Q&A platform. By choosing this platform as a case study, this project aims to fill a knowledge gap by exploring whether discourses fundamental to international, largely English-language communities of the manosphere are found relevant on a mainstream online space in an Eastern European, Balkan country like Bulgaria, and what (if any) additional locally specific tropes emerge in this context. Drawing on a discourse-historical approach to critical discourse analysis informed by social identity theory, the study seeks to unpack how these tropes serve the practice of online social identity construction, with a focus on whether the social identities that emerge could be classified as potentially extremist. The research problem is approached both by analyzing discursive elements in a purposeful sample of user comments, and by keeping a focus on the affordances of the online platform as a space where these discourses are co-produced and disseminated.

    Fulltekst (pdf)
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  • 155.
    Strange, Michael
    et al.
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för globala politiska studier (GPS). Malmö universitet, Malmö Institute for Studies of Migration, Diversity and Welfare (MIM). Malmö universitet, Fakulteten för kultur och samhälle (KS), Rethinking Democracy (REDEM).
    Tucker, Jason
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för globala politiska studier (GPS). Malmö universitet, Malmö Institute for Studies of Migration, Diversity and Welfare (MIM). Malmö universitet, Fakulteten för kultur och samhälle (KS), Rethinking Democracy (REDEM).
    Global governance and the normalization of artificial intelligence as ‘good’ for human health2023Inngår i: AI & Society: The Journal of Human-Centred Systems and Machine Intelligence, ISSN 0951-5666, E-ISSN 1435-5655Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The term ‘artificial intelligence’ has arguably come to function in political discourse as, what Laclau called, an ‘empty signifier’. This article traces the shifting political discourse on AI within three key institutions of global governance–OHCHR, WHO, and UNESCO–and, in so doing, highlights the role of ‘crisis’ moments in justifying a series of pivotal re-articulations. Most important has been the attachment of AI to the narrative around digital automation in human healthcare. Greatly enabled by the societal context of the pandemic, all three institutions have moved from being critical of the unequal power relations in the economy of AI to, today, reframing themselves primarily as facilitators tasked with helping to ensure the application of AI technologies. The analysis identifies a shift in which human health and healthcare is framed as in a ‘crisis’ to which AI technology is presented as the remedy. The article argues the need to trace these discursive shifts as a means by which to understand, monitor, and where necessary also hold to account these changes in the governance of AI in society.

    Fulltekst (pdf)
    fulltext
  • 156.
    Ström-Olsen, Hannah
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    A Court of Heroines and Representations: En narratologisk analys av kvinnors representation som hjältinnor i Fantasyberättelser.2023Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [sv]

    Syftet med denna uppsats har varit att undersöka och analysera hur hjältinnor i fantasyberättelser representeras ur ett narrativt formperspektiv. Delsyften har varit att undersöka varför det ser ut så här samt om det finns några teman hos hjältinnan som undersökts som även passar in hos andra kvinnliga karaktärer i berättelser i tidigare forskning. För att undersöka detta utgår uppsatsen från ett genusperspektiv, Carol S. Pearson och Rikke Schubarts teorier om arketyper samt Stuart Halls förklaring om stereotyper. Metoden som används är narratologi, med verktyget aktantmodellen. Resultaten visar att hjältinnor i fantasyberättelser delvis representeras utifrån genusnormer och könsstereotyper men även att de kan bryta mot dessa och ta sig an karaktärsdrag och agera som en hjältinna på vis som annars skulle anses vara maskulint betingade. Feyre Acheron agerar till stor del hjältinna i relation till andra, vilket stämmer överens med de tidigare forskningar som presenteras. Men hon agerar även hjältinna i relation till sig själv, något som går emot den forskningen. 

    Fulltekst (pdf)
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  • 157.
    Sumislawska, Katarzyna
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Socially Responsible Digitization: A Case Study of Media and Digital Literacy Project for the Secondary Schools in Wroclaw, Poland2023Independent thesis Advanced level (degree of Master (One Year)), 10 poäng / 15 hpOppgave
    Abstract [en]

    In today's digital age, media literacy and critical thinking are essential for informed decision-making, safeguarding against disinformation, and addressing online harms like hate speech. These skills are crucial for effective cognitive processing and decision-making, as they support critical thinking when consuming information, promote responsible media production and consumption, facilitate the ability to make informed decisions and protect oneself from disinformation and misinformation. Moreover, media and digital literacy can help raise awareness about hate speech and influence operations that aim to sow distrust in media, democratic systems and lead to polarisation. Increased body of work suggests that online hate stands in a correlation with depression and suicide attempts among youth.

    This paper delves into media literacy's facets, its role in mitigating social threats, and its progression, referencing international guidelines. A case study from Wroclaw, Poland's "Socially Responsible Digitization" pilot project, conducted between November 2022 and January 2023, illustrates practical applications with students and teachers. Finally, the paper concludes with a set of recommendations to improve the future iterations of the project, integrating participatory methodology and study of perception of disinformation and hate speech among youth.

  • 158.
    Sundmark, Björn
    Malmö högskola, Fakulteten för lärande och samhälle (LS), Institutionen för kultur, språk och medier (KSM).
    "A Serious Game": Mapping Moominland2014Inngår i: The Lion and the unicorn, ISSN 0147-2593, E-ISSN 1080-6563, Vol. 38, nr 2, s. 162-181Artikkel i tidsskrift (Fagfellevurdert)
  • 159.
    Suros, Carlota
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Constructing sexual danger in the Spanish media: A mixed-method analysis of a high-profile, non-intimate femicide case in El País2021Independent thesis Advanced level (degree of Master (One Year)), 10 poäng / 15 hpOppgave
    Abstract [en]

    From January 2016 until August 2021, at least 436 women or girls have been deliberately murdered in Spain by men. Non-intimate femicide (and, particularly, murder committed by complete strangers to the victim, to which this study refers as “stranger femicide”) has historically been, and still is, the most covered type of femicide in the media. This is also the case in the Spanish press, and more specifically, El País, the most read media outlet in the country.

    This thesis examines how El País framed Diana Quer’s case, the most high-profile, intensively covered femicide case in Spain in the past 5 years. It will also examine which ethical problems the reporting presented. From a feminist perspective and through a mixed-method approach of content analysis and frame analysis, this study examines 86 articles corresponding to the two informative peaks of Diana Quer’s case coverage. The periods go from August to October 2016, the first two months of her disappearance, and from December 2017 to January 2018, the 15 days following her killer’s arrest and crime confession. The findings reveal that the coverage in El País constructed a victimization iconography with DQ’s case that engendered cautionary tales and failed to address femicide as a social issue. The reporting also presented a series of critical ethical problems calling for a reformation of femicide reporting guidelines.

    Fulltekst (pdf)
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  • 160.
    Svensson, Annie
    et al.
    Malmö universitet, Fakulteten för lärande och samhälle (LS).
    Malmqvist, Julia
    Malmö universitet, Fakulteten för lärande och samhälle (LS).
    Vilse i ett flöde av digital information: En metastudie om skolans roll i elevernas källkritiska utvecklingsförmåga2023Independent thesis Basic level (professional degree), 10 poäng / 15 hpOppgave
    Abstract [en]

    The curiosity for source criticism was something that sparked in us during our internships. We discovered that students, even at an early age, frequently use digital sources and social media to find information and news. The purpose of this meta-study is to find out how the Swedish school system teaches the younger students about critical thinking and source criticism. The current Swedish curriculum mentions in the introductory chapters, along with the core content for Swedish and civics education, that the students should get the opportunity during their education in compulsory school to develop a source-critical approach. The research question posed was therefore “Are the younger students in compulsory school given the right tools and conditions to develop their critical thinking in civics education, to thus understand contemporary society?”. To find answers to this question, a qualitative textual analysis was conducted to determine a selection of related literature. The results showed that the schools lacked practical work regarding critical thinking and source criticism. As a result the teachers find it difficult to determine how it should be incorporated, along with which subject is responsible for it. Studies have shown confusion mainly among Swedish and civics teachers, since both teachers considered source criticism to be the other teacher's area of responsibility. The results also included which abilities are needed for a student to be able to develop a source-critical approach to thinking, also how a phenomenon can be interpreted differently depending on the experiences of the observer. The primary conclusion drawn was that there is a significant lack of research focusing on students in elementary school and how they relate to media and other information they meet every single day. It was also concluded that there is a lack of communication regarding this topic in the Swedish school system and how important it is for young students to develop critical thinking skills to be able to participate in our society as democratic citizens. 

    Fulltekst (pdf)
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  • 161.
    Svensson, Emelie
    Malmö universitet, Fakulteten för teknik och samhälle (TS).
    Retuschering och dess effekt på köplust: En kvantitativ studie om retuschering kopplat till köplust och konsumentens gräns för vilken typ av retuschering som är accepterat i reklamsammanhang.2023Independent thesis Basic level (degree of Bachelor), 180 hpOppgave
    Abstract [sv]

    Att manipulera och retuschera bilder har gjorts länge och i samband med att digitaliseringen utvecklats och mediekonsumtionen ökat har ytterligare manipuleringsverktyg dykt upp. Problematiken med verktygen ligger i att de används i reklambilder vilket egentligen ska ge en äkta bild av sanningen. I reklam ser vi ofta en kvinna som inte har några brister och till utseendet är perfekt. Syftet med studien är därmed att undersöka i hur stor omfattning retuschering är koppat till köplust hos kvinnor. Därtill syftar studien till att utreda vart konsumenterna drar gränsen för vilken typ av retuschering/manipulering som är accepterat i reklam. Resultatet av den kvantitativa studien baseras på ett frågeformulär som publicerades i två grupper på Facebook som genererade etthundra svar. Utifrån dessa svar har det framkommit att retuschering leder till köplust, men retuscheringen ska ske i liten mängd och inte vara synlig. Vid tydlig retuschering indikerar resultatet att det får motsatt effekt, det vill säga att köplusten avtar. Det framgick även att det var de små retuscheringstyperna som ansågs mest accepterat, så som retuschering av mörka ringar och korrigering av ljus och färger. Resultatet tyder dessutom på att vad som är accepterat att retuschera i reklam skiljer sig beroende på om reklamen kommer från företag eller influencers.

    Fulltekst (pdf)
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  • 162.
    Svensson, Jakob
    Malmö universitet, Fakulteten för teknik och samhälle (TS), Institutionen för datavetenskap och medieteknik (DVMT).
    Foreword2023Inngår i: Pandemics in the Age of Social Media: Information and Misinformation in Developing Nations / [ed] Kumar, Vikas; Rewari, Mohit, Routledge, 2023Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 163.
    Svensson, Jakob
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö universitet, Data Society.
    Lurkers and the Fantasy of Persuasion in an Online Cultural Public Sphere2018Inngår i: Managing Democracy in the Digital Age: Internet Regulation, Social Media Use, and Online Civic Engagement / [ed] Julia Schwanholz, Todd Graham, Peter-Tobia Stoll, Springer, 2018, s. 223-242Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [en]

    This contribution revolves around political discussions in forum discussion threads on the Swedish online LGBTQ community platform, Qruiser. Political discussions in these online forum threads are studied as cultural participation in an online cultural public sphere. The specific question the chapter seeks to answer is what role so-called lurkers play for active participants’ meaning-making practices. Lurkers could be understood as a fantasy, an imagined audience willing to listen and be persuaded by active participants’ arguments. However, applying a Lacan inspired analytical framework, the chapter will conclude that the fantasy is not so much about the lurkers themselves (that may be imagined or just invisible), but the belief in persuasion. Hence, the answer to the question of why users participate in verbal battles with each other online would be because they are driven by a fantasy of persuasion as a way to cope with the lack of enjoyment in terms of them being split from a harmonious world of political unity.

  • 164.
    Svensson, Jakob
    et al.
    Malmö universitet, Fakulteten för teknik och samhälle (TS), Institutionen för datavetenskap och medieteknik (DVMT).
    Larsson, Anders Olof
    Kristiania Univ Coll, Oslo, Norway..
    Strand, Cecilia
    Uppsala Univ, Uppsala, Sweden..
    Who relates to whom and according to which rationale?: Visibility and advocacy in the Ugandan LGBT plus Twittersphere2024Inngår i: New Media and Society, ISSN 1461-4448, E-ISSN 1461-7315Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    An increase in international funding for LGBT+ rights advocacy in Uganda has resulted in not only a mushrooming of organizations but also intra-community competition for visibility, attention, and limited resources. Against this backdrop, we set out to study how organizations relate to each other in the Ugandan LGBT+ Twittersphere. Following an analytical framework around rationalities of mediated participation, we study with whom Ugandan LGBT+ organizations relate through mapping retweets and @mentions emanating from selected Twitter accounts. The resulting network maps reveal a dividing line between more well-funded and internationally connected organizations and lesser established organizations. By supplementing the network analysis with qualitative readings of key accounts and semi-structured interviews, we conclude that access to international funds and negotiating visibility explains the network structures. The article thus reveals interesting Twitter practices, showing LGBT+ organizations use the platform as a means for negotiating and claiming space inside the Ugandan LGBT+ community.

  • 165.
    Svensson, Jakob
    et al.
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö universitet, Data Society.
    Russmann, Uta
    Cezayirlioglu, Andac Baran
    Broadcasting achievements: Social media practices of Swedish parties in-between elections through the lens of direct representation2020Inngår i: Journal of Applied Journalism and Media Studies, ISSN 2001-0818, E-ISSN 2049-9531, Vol. 9, nr 2, s. 147-168Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Inspired by Coleman's call for a more 'direct representation', we address two neglected issues within the field of social media and political communication. We study a nonelection period in Sweden (two randomly selected weeks in early 2016) and conduct a cross-platform comparison. The article is based on content analyses of the four prominent social media platforms: Facebook, Instagram, YouTube and Twitter. We seek to answer the following questions: do parties use social media platforms in-between elections? If so, for what purposes? Do parties use social media to interact in a direct manner with citizens? We focus on three different Swedish parties: the Social Democrats (incumbent), the Feminist Initiative (underdog) and the Sweden Democrats (populist right-wing). Our findings suggest a bleak direct representation in-between elections. Parties are more active on social media platforms during election campaigns. Twitter is the preferred platform, especially by the incumbent party for broadcasting achievements.

  • 166.
    Svensson, Jakob
    et al.
    Malmö universitet, Fakulteten för teknik och samhälle (TS), Institutionen för datavetenskap och medieteknik (DVMT). Malmö universitet, Data Society.
    Strand, Cecilia
    Department for Informatics and Media, Uppsala University, Uppsala, Sweden.
    Development cooperation & the stratification of LGBT+ activism international donors, elite activists & community members in Uganda Pride 20222023Konferansepaper (Annet vitenskapelig)
  • 167.
    Svensson, Jakob
    et al.
    Malmö universitet, Fakulteten för teknik och samhälle (TS), Institutionen för datavetenskap och medieteknik (DVMT). Malmö universitet, Data Society.
    Strand, Cecilia
    Department of Informatics & Media, Uppsala University, Uppsala, Sweden.
    The Promise of Double Living: Understanding Young People with Same-Sex Desires in Contemporary Kampala2023Inngår i: Journal of Homosexuality, ISSN 0091-8369, E-ISSN 1540-3602Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Ugandan urban same-sex desiring individuals frequently encounter and navigate competing understandings of sexuality and sexual identity. Western essentialist understanding of sexual identity introduced by international development partners and transnational LGBT+ (Lesbian, Gay, Bi- and Transsexual) activism, as well as media, offer an alternative to Ugandan non-essentialist and fluid subject positions. This article seeks to understand how young individuals with same-sex -desires in Kampala navigate tensions between Western and local understandings concerning sexuality. We have interviewed 24 young individuals with same-sex desires (unaffiliated and individuals working in LGBT+ organizations) and asked how they approach their sexuality and experiences living with same-sex desires in contemporary Kampala. The results reveal how interview participants engaged in a complex navigation between local community expectations, their own same-sex desires, and embeddedness in a global LGBT+ culture. Although the participants engaged in what Westerners would label as a "double life," the article problematizes the prescriptive norms of authenticity and "coming out." The conclusion is that the fluid vs essentialist dichotomy is too simplistic to be helpful when trying to understand the lives and aspirations of young people with same-sex desires.

  • 168.
    Taher, Hassan
    et al.
    Malmö universitet, Fakulteten för teknik och samhälle (TS), Institutionen för datavetenskap och medieteknik (DVMT).
    Addo, Giuseppina
    Malmö universitet, Data Society. Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Pruulmann-Vengerfeldt, Pille
    Malmö universitet, Data Society. Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Engberg, Maria
    Malmö universitet, Data Society. Malmö universitet, Fakulteten för teknik och samhälle (TS), Institutionen för datavetenskap och medieteknik (DVMT).
    Harvard Maare, Åsa
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö universitet, Data Society.
    Reuse and Appropriation:: Remediating Digital Museum Collections and Digital Tools for a Participatory Culture in Transition2022Inngår i: Baltic Screen Media Review, E-ISSN 2346-5522, Vol. 10, nr 1, s. 122-138Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Museums have always used different media to communicate, widen perspectives and bring new knowledge, but in the era of digital media, their various offerings are increasingly part of the media ecosystem. Our research interventions explored the possibility of reusing existing digitised material in a participatory setting. The aim was to explore the object-centred audience participatory method in digital settings. We held a series of digital and in-person workshops that invited the participants to “imagine” narratives about the provenance of the museum’s objects and journeys to Sweden in a playful and creative exploration. We could observe how the virtual workshop setting supported focused discussions, and allowed zooming, drawing and remixing of digital photographs to facilitate conversation. The workshop participants on-site worked with the museum objects on display to remediate them through photos, drawings, clay modelling, and writing down thoughts and questions about the objects on discussion postcards. The participants’ contributions were included in the virtual collection database (Carlotta), under the same collection as the other museum objects, making the remediation process circular. We argue that object-centred methods enable audience participation in digital media ecosystems both in museums and with other media makers. The audience’s expectations and experiences from using other media bring them to the digital museum platforms with a willingness to explore, remix and integrate.

    Fulltekst (pdf)
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  • 169.
    Talarek, Piotr
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Challenging the Fashion Industry: A Qualitative Content Analysis of the Audience Reactions To the Louis Vuitton and Ulrikke Høyer’s Casting Controversy2022Independent thesis Advanced level (degree of Master (Two Years)), 10 poäng / 15 hpOppgave
    Abstract [en]

    On 18 May 2018, Danish fashion model Ulrikke Høyer decided to comment on her cancellation from Louis Vuitton's inter-seasonal fashion show in Tokyo. In her emotional Instagram and Facebook posts, the model highlighted the mistreatment from the luxury fashion brand and its collaborators: casting director Ashley Brokaw and her assistant Alexia Cheval. Known for her longtime presence in the brand's show, Høyer has been cancelled from the show at the last moment due to her insufficient body condition. Moreover, she has been suggested to restrain from eating to gain the required shape. The model's post has met with many reactions perpetuating an industry debate about its control over bodies, mistreatment of female models and neglection of independent voices as Høyer has become an industry's "persona non grata". While this event resulted in many social media reactions, no research has addressed this problem. This thesis addresses this gap with the qualitative content analysis of the reactions to Høyer's post on her Instagram account and published on a fashion-oriented forum: The Fashion Spot. Manuel Castells' theory of network society and the concept of digital affect culture have been used as a framework to examine the problem. The results show significant differences between the reactions from the two platforms and prove that the marginalization of female models' voices in fashion has a long history. 

  • 170.
    Talarek, Piotr
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Understanding Fashion: A Qualitative Content Analysis of the audience reactions to the covers of British Vogue April 20212021Independent thesis Advanced level (degree of Master (One Year)), 10 poäng / 15 hpOppgave
    Abstract [en]

    This thesis aims to examine different independent fashion audience reactions to the covers of UK Vogue April 2021, which featured four upcoming models of color: Mona Tougaard, Janaye Furman, Achenrin Madit, and Precious Lee. The study focuses on responses gathered from two fashion sources: The Instagram account Diet Prada, and a fashion forum called The Fashion Spot. In addition, the design has been extended by The Fashion Spot fashion crowd’s reactions to the Vogue Italia July 2008 also known as “The Black Issue”. 

    The thesis intends to associate the main research problem with the magazine industry and digital world of fashion, media producers and advertisers, the issue of power, and female models diversity on the covers of Vogue. The study employs a method of qualitative content analysis. Additionally, Stuart Hall’s encoding and decoding model has been implemented to define the message displayed on the fashion magazine covers and to examine the readers' reactions based on the collected data. 

    The findings show that even though the UK Vogue April 2021 covers met with positive reactions and approval from independent industry voices, some concerns have appeared. While British Vogue has been praised for its decision to feature four black models on the covers, it has been mentioned that other international editions of Vogue did not decide to follow this idea. Moreover, the lack of more diverse fashion producers, such as fashion photographers or stylists has been pointed out. A comparative analysis of the reaction data studied also showed that the audiences of the two independent fashion platforms tend to differ in terms of reactions to the covers. Furthermore, an additional comparison between the Vogue Italia July 2008 and UK Vogue April 2021 has highlighted the differences between the social and cultural changes as well as the perception of a fashion magazine as a media. 

    Fulltekst (pdf)
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  • 171.
    Tapia Lagunas, Pablo
    Malmö högskola, Bibliotek och IT (BIT).
    Studenter som resurs - en modell för undervisning i informationssökning?2005Konferansepaper (Annet vitenskapelig)
    Fulltekst (pdf)
    FULLTEXT01
  • 172. Tehler, H
    et al.
    Nilsson, Jerry
    Using Network Analysis to Evaluate Interdependencies Identified in Tabletop Exercises2010Manuskript (preprint) (Annet vitenskapelig)
  • 173.
    Tornbjer, Eva
    et al.
    Malmö högskola, Bibliotek och IT (BIT).
    Nilén, Peter
    Malmö högskola, Bibliotek och IT (BIT).
    Ericson Lagerås, Karin
    Malmö högskola, Bibliotek och IT (BIT).
    RFID på Malmö högskola: en konsekvensanalys2010Rapport (Annet vitenskapelig)
    Abstract [sv]

    Rapporten är en konsekvensanalys av ett eventuellt införande av RFID på Malmö högskolas bibliotek.

    Fulltekst (pdf)
    FULLTEXT01
  • 174.
    Treichel, Patrycja
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    News Propaganda in Poland: Mixed Methods Analysis of the Online News Coverage About the Media Law Proposal Lex TVN2022Independent thesis Advanced level (degree of Master (Two Years)), 10 poäng / 15 hpOppgave
    Abstract [en]

    The thesis investigates propaganda in the online news coverage about the media law proposal Lex TVN, committed to the Polish parliament in 2021. The mixed methods approach applied in the research is based on a novel analytical matrix combining the Propaganda Model theory (Herman & Chomsky, 1988) and modalities of propaganda techniques (Da San Martino et al., 2020). The main findings indicate that propaganda in the coverage about the Lex TVN is a cross-platform issue; that it occured in different forms, as: sources, critical content (flak) or expressions of ideological preferences; and that it was created using various propaganda techniques. Moreover, the analysis demonstrates that propaganda was used for several reasons: to attract attention of the readers; to increase the firm’s profit and popularity; to express the stance of the media brand towards the bill Lex TVN; and to criticize the current government. The study contributes to the field of Media and Communication Studies by using the novel analytical matrix that tests the applicability of the PM in a new geopolitical context, Poland, and adds to the academically unexplored research area of news propaganda in Polish media. Several topics for further studies are suggested: the analysis of propaganda in the news coverage published by the Polish state media brand TVPInfo; an investigation of the news reception in Poland and the ability of the Polish news readers to identify news propaganda; and lastly, studying potential positive effects of news propaganda in the Polish context.

    Fulltekst (pdf)
    fulltext
  • 175.
    Täljedal, Inge-Bert
    Umeå universitet.
    Open Access - den ideala formen för vetenskaplig publicering2008Konferansepaper (Annet vitenskapelig)
    Fulltekst (pdf)
    FULLTEXT01
  • 176. Tönning, Matilda
    et al.
    Åhrén, Freja
    Unga vuxnas källkritiska förhållningssätt till mediefenomenet podcasts: En undersökning om podcasts och dess trovärdighet som informationskälla2023Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    This article aims towards developing further understanding regarding the relation between the media phenomenon podcasts and source credibility amongst young adults in Sweden. Furthermore, the foundation for this essay is based on the previous and current empiricism regarding both podcasts and source credibility. This study has evaluated and discussed the function that podcasts contribute with in regards to bridging the gap between social media and journalistic publishing. To answer this study's aim of purpose, a qualitative and a quantitative research method have been applied. These research methods have consisted of a digital survey and a focus group survey. The purpose behind the research was to examine how young adults living in Sweden experience and reflect on the subject of podcasts in correlation with source credibility. The research was narrowed down to a specific set of three resource categories amongst podcasts. It was concluded from these studies’ research methods that similarities and differences were present in relation to already existing empiricism. Furthermore was the extubated data applied to the Parasocial Interaction Theory and Uses and Gratification Theory. 

    The extubated data showed how young adults consider themselves source critical in relation to information produced through podcasts. Furthermore it was revealed that young adults' source credibility is highly based on who the publisher and podcast host is and acts. After applying the two theories to the collected data it was illustrated that young adults’ source critical thinking was affected by their perceived personal relations towards the podcast hosts. It became apparent that podcasts within the public service sector were perceived more credible regardless of the podcast subject and podcast host. In further addition the collected data presented that credibility and source criticism amongst young adults is partly based on which genre of podcast that is consumed. This essay also conducts a discussion regarding how the relation between podcasts and source credibility can develop further in the future.

    Fulltekst (pdf)
    fulltext
  • 177.
    usman, Maliha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Role of media in mother tongue learning of young children in expat families2020Independent thesis Advanced level (degree of Master (Two Years)), 10 poäng / 15 hpOppgave
    Fulltekst (pdf)
    fulltext
  • 178.
    Valenzuela Anzola, Ana Maria
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    A qualitative analysis of the lived experiences of Colombian female photojournalist and their relationship with embodied visual activism in the context of feminist protests in Colombia2022Independent thesis Advanced level (degree of Master (Two Years)), 10 poäng / 15 hpOppgave
    Abstract [en]

    This thesis explores how gender inequality in the photographic staff of the main Colombian media outlets, has established a hegemonic view of representation and examines the way recent social outbursts in the country, have been the ideal setting for the rise of citizen journalism, visual activism, and new visual citizenships. It seeks to present how diverse individuals, including female photojournalists are producing alternative visual narratives and igniting a paradigm shift on traditional photojournalism. By embracing new digital visualities and depictions of the other, these individuals are confronting traditional media organizations, questioning their visual narratives, inclusion, and representation policies.

     

    Positioned from a Phenomenological and Feminist Media Theory standpoint, this project aims to observe this phenomenon from the bottom up, building from the experiences of the subject’s study. This project will consider emotions, affections lived experiences of three Colombian female photojournalists in active exercise of their profession, who will take part of this study, and those experiences will be basic inputs of interpretation. I contend that not sufficient research has been done on this topic, and expose an evident research gap, existing in Latin-American and Colombian Media Studies, since it’s connected to new technologies, recent social change and in general, a phenomenon still developing. Drawing from a Phenomenological Psychology field methodology, data will be obtained through semi-structured interviews and examined with coding and interpretation tools provided by this discipline. This study concludes how the female body becomes a political and visual signifier exercising an embodied practice in photojournalism, but also by emotions connected to what they are seeing through their lenses, which in turn, produces affective visualities and narratives many times, opposed to the claims of objectivity, rationality and newsworthiness traditional journalism stands for. 

    Fulltekst (pdf)
    fulltext
  • 179.
    Valenzuela Anzola, Ana María
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    A Critical Visual Analysis of the images shared by Colombian female photojournalists under the hashtag #8mfotografascolombia on the March 8th, 2021, feminist mobilization.2021Independent thesis Advanced level (degree of Master (One Year)), 10 poäng / 15 hpOppgave
    Abstract [en]

    The intention of this thesis is to investigate whether there are consistent narrative patterns of images produced by female photojournalists under the Instagram hashtag #8mfotografascolombia in the context of the feminist mobilization of March 8, 2021, that took place in Colombia. I aim to establish if indeed these new communicative strategies in expansion respond to narratives widely used by traditional photojournalism, or if they operate under a different set of dynamics. Under the lens of Representation Theory I want to study how hegemonic depiction and absent stories form photojournalism are configuring counter narratives on social media platforms. On the other hand the perspective of Feminist Media Theory will provide understanding and context about the processes of production, circulation and absent feminine gaze within the media. The subsequent analysis shows that in fact narratives are being configured opposed to the structures of large media organizations in which the female gaze produces not only aesthetically different results, but the photographic process is intrinsically linked to performative actions, the recognition of subjects and away of the logic of spectacle and violence of the big media, but also outside of what the Instagram algorithm privileges.

    Fulltekst (pdf)
    fulltext
  • 180.
    von der Hülst, Merle
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    The Abortion Debate in the U.S. Media: A Critical Discourse Analysis of the Abortion Debate within two prominent U.S. News Outlets Leading Up to and Following the Overturn of Roe v. Wade2023Independent thesis Advanced level (degree of Master (One Year)), 10 poäng / 15 hpOppgave
    Abstract [en]

    The aim of this study is to analyze whether any media bias and framing can be observed in the U.S. news reporting surrounding the topic of the abortion debate. And if yes, how they are being presented to their respective audiences.For this, thirty articles have been analyzed in total; published respectively by Fox News and CNN in the timeframe of June 2021 until June 2023. This covers the time before, after, and during the U.S. Supreme Court’s decision to overturn the law of Roe v. Wade. For the analysis I referred to Fairclough’s critical discourse analysis, as well as the theories of framing and media bias. Additionally, the theory of hegemony was applied to the results. These theoretical concepts were accompanied by a combined paradigmatic approach of interpretivism and critical theory.The results of the analysis indicate that both news outlets present bias, framing, and hegemonic ideologies within their reporting. The content of Fox News showed a tendency of an anti-abortion stance in its rhetoric, utilizing frames concerning morality, freedom, politics, and the abortion industry. Meanwhile, CNN’s content tended to take an oppositional stance by utilizing pro-abortion rhetoric, as well as frames concerning harmful information, freedom, the danger of Conservatives, and politics. These findings led me to conclude that there are significant implications for media hegemony inherent in the reporting of both outlets.

    Fulltekst (pdf)
    fulltext
  • 181.
    Welander, Albert
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för globala politiska studier (GPS).
    EU in the news: Swedish depiction and coverage of the 2020 Special European Council Session2022Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    This study takes on a descriptive quantitative content analysis as means to investigate how the Swedish media covered and depicted the Special European council session between 17th to 21st of July 2020. Based on Agenda Setting and News Framing theories, the study investigated three aspects of the meeting's news coverage: (1) The overall interest and focus put on the meeting, (2) the interest and focus put on individual issues pertaining to the meeting, and (3) the Swedish News Framing of the meeting. The study found a large interest by the Swedish newsrooms centered on the final day of the meeting. This is especially the case with the Swedish public service network who had an overall higher coverage pertaining to the meeting. The coverage of the meeting was also found to have mainly revolved around the Covid Relief fund, with other subjects present but with a secondary importance. The meeting was mainly framed based on the economic consequences as well as conflict within the meeting, with little focus on the human impact. The paper was also able to find a large difference in how the meeting was framed based on the individual newsrooms, with the public service differentiating itself from tabloid and quality press through its overall weaker framing. 

    Fulltekst (pdf)
    fulltext
  • 182.
    Wessels, Josepha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    A sense of presence: empathic ethnographic encounter and participatory 360-video with Syrians in Jordan2022Annet (Annet vitenskapelig)
    Abstract [en]

    Over the past 5 years, immersive media technologies continue to provide new and challenging opportunities for participatory approaches in social sciences. In particular the use of small 360-video cameras for visual ethnographic work provides new innovative research methods for migration research and participatory action research (PAR). This paper describes and analyses the preliminary results of a 6-year research programme entitled 'Refugee Migration and Cities: Social Institutions, Political Governance and Integration in Jordan, Turkey and Sweden', led by Gothenburg University in collaboration with Malmö University, Sweden and Bogazici University in Turkey. How does immersive 360-video enhance the ability to understand the Other? This paper aims to give insight into ongoing longterm research on attitudes towards refugees of war, in which participatory 360-video is used as a methodology for ethnographic enquiry with Syrians in Sweden, Turkey and Jordan. The programme implemented a methodology based on the use of immersive 360-video technology for a visual multi-sited ethnographic study on refugee lifeworlds, encounters and conviviality, conducted in three different geographical locations with Syrian refugees. The study makes use of 360-video cameras to capture and document everyday life from the point of view of Syrian refugees in respectively Gothenburg, Sweden, Adana, Turkey and Irbid, Jordan. Providing preliminary conclusions, the author will reflect on building rapport with refugees in the field and various levels of agency and authorship of the research participants.

  • 183.
    Wessels, Josepha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    A sense of Presence; visual ethnography using immersive 360-video with Syrian refugees2022Konferansepaper (Annet vitenskapelig)
  • 184.
    Wessels, Josepha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Documenting Syria: Filmmaking, video activism and revolution2019Bok (Fagfellevurdert)
    Abstract [en]

    Syria is now one of the most important countries in the world for the documentary film industry. Since the 1970s, Syrian cinema masters played a defining role in avant-garde filmmaking and political dissent against authoritarianism. After the outbreak of violence in 2011, an estimated 500,000 video clips were uploaded making it one of the first YouTubed revolutions in history.This book is the first history of documentary filmmaking in Syria. Based on extensive media ethnography and in-depth interviews with Syrian filmmakers in exile, the book offers an archival analysis of the documentary work by masters of Syrian cinema, such as Nabil Maleh, Ossama Mohammed, Mohammed Malas, Hala Al Abdallah, Hanna Ward, Ali Atassi and Omar Amiralay. Joshka Wessels traces how the works of these filmmakers became iconic for a new generation of filmmakers at the beginning of the 21st century and maps the radical change in the documentary landscape after the revolution of 2011. Special attention is paid to the late Syrian filmmaker and pro-democracy activist, Bassel Shehadeh, and the video-resistance from Aleppo and Raqqa against the regime of President Bashar al-Assad and the Islamic State. An essential resource for scholars of Syrian Studies, this book will also be highly relevant to the fields of media & conflict research, anthropology and political science

  • 185.
    Wessels, Josepha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö university.
    Graffiti and Mural Arts for Visions of Sustainable Futures in Sudan2022Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In 2019, the Sudanese people managed to bring down an authoritarian regime that ruled the country for over 3 decades. Their visions for change in Sudan can be seen and observed in the large body and collections of graffiti art and mural paintings throughout the public space in the city of Khartoum. Some of these murals give a clear image of how the revolutionaries see and envision the Sudan they want to build (‘Hanabniho’ = ‘we will build’). The term ‘Hanabniho’ derives from a poem written by Mahjoub Sharif and sung by legendary Nubian Sudanese singer Mohammed Wardi; ‘We will build Sudan, how we dreamt it every day, homeland of goodness, homeland of democracy’ It was sung during the 2019 Sudanese Revolution. The creative and imaginary capacities of Sudanese young revolutionaries to imagine Sudan’s future, are the basis for a research project that explores collaborative storytelling and future making through bringing together Sudanese graffiti artist collectives and environmental activists for future visioning exercises to imagine a sustainable future for Sudan. Since January 2020, the author has documented the Sudanese revolutionary graffiti and murals using ArcGIS story mapping in which locations of important mural are geolocated and presented interactively to document and explore important relations between places, spaces and stories. In February 2022, the author conducted ethnographic fieldwork with environmentalists and mural artists in Khartoum. In this paper, she will present preliminary results of the study and participatory future workshopping as a method that she applied during the fieldwork. The goal of the future workshop was to creatively explore how Sudanese graffiti artists and environmentalists can co-create sustainable future visions for Sudan. Both groups exchanged knowledge, discussed SDGs, sketched together and collaborated in telling their stories for earthly survival and human rights with the walls as canvas.

  • 186.
    Wessels, Josepha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Keynote Speech - Street Art and Graffiti in Sudan: An Overview of Revolutionary Murals from the Sudanese Revolution of 2019.2022Konferansepaper (Annet vitenskapelig)
  • 187.
    Wessels, Josepha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Multimodal data collection to document graffiti of the 2019 Sudanese Revolution2022Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    This study aims to document and capture past and future visions of Sudan’s revolutionary youth. The 2019 Sudanese revolution ousted dictator Omar el-Bashir after decades of authoritarian rule. In the words of its own revolutionaries, this is thanks to a vibrant artistic public sphere on the streets and its connection to online digital dissidence. The Sudanese revolution caused an explosion of  vibrant urban art made by street artists who expressed their thoughts and voices through mural paintings and graffiti. In 2020 and 2022, I conducted fieldwork in Khartoum with the Sudanese revolutionary artists. My study focuses on the role of mural art and graffiti in the Sudanese protests, through digital ethnography, extensive digital photo documentation of revolutionary graffiti street art and photo elicitation interviews with Sudanese revolutionary artists, both on zoom and irl, in combination with organizing a collaborative visioning workshop. My geolocated photographic data are combined with regular and VR360 video data, embedded in a georeferenced ARcGIS storymap that enables everyone to digitally conduct an immersive tour through Khartoum city and virtually visit the sites of important political graffiti. My challenge is how to analyse and interpret the multimodal data to capture the visual cultures surrounding the Sudanese revolution.

  • 188.
    Wessels, Josepha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Spatialised visual stories of climate change impact in Greater Khartoum2022Konferansepaper (Annet vitenskapelig)
  • 189.
    Wessels, Josepha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3). Malmö universitet, Malmö Institute for Studies of Migration, Diversity and Welfare (MIM).
    Subversive documentary cinema and people in concert prior to the Syrian Revolution2023Annet (Annet vitenskapelig)
    Abstract [en]

    My talk focused on the development of subversive documentary cinema in Syria since the early 1970s which is part of the multidimensional foundations for the popular uprisings and artistic protests that emerged in the streets of Syria in 2011. I read from my book "Documenting Syria", published in 2019. I argue that the subversiveness of Syrian documentary cinema is directly linked to the emergence of critical exchanges between Syrian and Palestinian filmmakers who collaborated artistically and experimentally on cinema and political dialogues in Damascus (Damascus Cinema Club) and Amman (Palestinian Film Unit). This nexus continued to influence a younger generation of Syrian filmmakers throughout the first decade of the rule of Bashar al Assad of whom some became icons and martyrs of the Syrian Revolution. 

    I exemplified this cinematic development with several cinematic works by Mohammed Malas, Rami al-Farrah, and Bassel al Shehadeh and the 2021 film by Abdallah al Khatib “Little Palestine, Diary of a Siege” filmed in the biggest Palestinian refugee camp – Yarmouk, in Damascus, Syria.

  • 190.
    Wessels, Josepha
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Sustainable Sudan: documenting the past and visioning the future through graffiti and environmentalism2022Konferansepaper (Annet vitenskapelig)
  • 191.
    Wood, Helen
    et al.
    University of London, U.K..
    Skeggs, Beverly
    De Montfort University, Leicester, UK.
    Sorglig television: affekter, omdömen och känsloarbete2008Inngår i: Kvinnovetenskaplig tidskrift, ISSN 0348-8365, nr 3-4, s. 7-25Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [sv]

    Reality TV är en av vår tids mest omtalade och populära medieproduktioner. Frågan är hur man ska se på programmen ur ett könspolitiskt perspektiv. Vilken typ av kvinnlighet skapas och hur hänger den samman med känslosfären som av tradition uppfattats som både kvinnlig, intim och privat? För att svara på frågor som dessa har Beverly Skeggs och Helen Woods intervjuat 40 engagerade Reality-TV-tittare.

    Fulltekst (pdf)
    FULLTEXT01
  • 192.
    Zaragoza, Pauline
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Artificial Intelligence and Journalism: A Multimodal Critical Discourse Analysis of the Instagram page @brut_ia2023Independent thesis Advanced level (degree of Master (One Year)), 10 poäng / 15 hpOppgave
    Abstract [en]

    The rise of digital journalism on social media platforms is increasingly becoming a major source of information, notably for young audiences. However, the development of AI technologies is posing questions on the accountability and veracity of the digital content produced but also on the discourses conveyed. Taking the case of the French Instagram page @brut_ia using AI technologies as a news object and content creation tool, this work analyzes the insights of the account’s production and discourses and their reframing of the AI and Journalism relationship through a Multimodal Critical Discourse Analysis adapted from Fairclough’s model. Using Digital  Journalism Logic and Computational innovation as well as Visual Journalistic Discourse and News values, the results highlight a mix of traditional and novel journalistic practices alongside a predominantly positive and entertaining discourse on AI influenced by Instagram platform logic. Overall, this research highlights how the account production and discourse over AI technologies impact news communication, presentation, and promotion, not without raising some limitations.

    Fulltekst (pdf)
    fulltext
  • 193.
    Ševcova, Ksenija
    Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3).
    Music As a Means of Resistance: Rhetorical Analysis of Three Ukrainian Wartime Songs2023Independent thesis Advanced level (degree of Master (One Year)), 40 poäng / 60 hpOppgave
    Abstract [en]

    This study delves into Ukrainian wartime songs of resistance that were inspired by the ‘Russian warship’ slogan. Langer (1953) believes that songs can express emotions that language alone fails to convey. Dynamic interaction of music and lyrics slows down, arrests, and intensifies images and moods. Through a rhetorical analysis grounded in Sellnow and Sellnow’s (2010) model, this paper explores epideictic purpose of the selected songs by studying linguistic and aesthetic symbols, with the focus on a semiotic analysis of intertextuality. 

    The findings reveal the diverse perspectives on resistance in three distinctive songs. Botashe’s composition inspires people to resist by making fun of and demeaning the enemy. Sage’s composition draws a comparison between Russians and Ukrainians, underscoring the quiet dignity of the latter. Finally, Burla’s composition makes an emotional appeal, focusing on pain of betrayal, sadness of loss, and readiness to bury the brother turned enemy. Given the ongoing Russia-Ukraine war, the exploration of music’s role in this context remains underexplored. This study contributes to our understanding of the emotive power of music in disseminating messages of resistance and opens doors for future research on music activism in times of conflict. 

    Fulltekst (pdf)
    fulltext
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