Through a mixed-methods approach consisting of a directed content analysis of five established LGBT+ organizations' use of Twitter and Facebook during a month in 2022, and semi-structured qualitative interviews with social media content producers, the study attempts to understand the role of self-controlled social media spaces in challenging the Uganda society's logics of oppression. The results indicate that self-controlled spaces are not used for disrupting the basis for repression - the local logic of oppression - or its cocoon of collective post-colonial amnesia. Nor were spaces used for re-constructive engaging with transnational and development partners' unwitting impact on global south actors' agency and legitimacy. Instead, with a few exceptions, spaces displayed a conspicuous uniform human rights advocacy rhetoric, and Western identity labels summarized in the LGBT+ acronym. The interviews with social media content producers suggest that the LGBT+ community's dependency on international support may sway actors into what we call performative visibility, in self-controlled spaces. The study concludes that future analysis of Global South based activist's use of social media spaces' affordances including its potential for supporting de-colonialization efforts, must approach use as relational to actors' dependency on key resources such as funding and protection through affiliation.