Cultural policies will be analyzed as producing what Latour calls metrologies; that is, measuring devices and, by extension, concepts and instruments that contribute to the progressive socialization and naturalization of art effects such as social sustainability, community cohesion, social capital, and innovation. The case analyzed will be the art scene of the city of Malmö, its policies and metrological devices. The metrologies, we claim, are the ways in which the policy apparatus opens up to larger concerns of what Foucault calls dispositifs, linking art policy to other policy changes and societal concerns in general, and making art respond to those concerns in managed ways.