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Topgaard, Richard
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(2020). Artificial Creativity.
Åpne denne publikasjonen i ny fane eller vindu >>Artificial Creativity
2020 (engelsk)Annet (Annet vitenskapelig)
Abstract [en]

The Artificial Creativity virtual conference aimed to stir a discussion about the cultural, societal and ethical aspects of artworks featuring artificial intelligence or robots engaged in creative production. The conference dates were 19–20 November 2020 and it was hosted by the research lab Medea, the School of Arts and Communication, and the Data Society research programme – all at Malmö University, Sweden. The conference received generous support from Riksbankens Jubileumsfond.

Videos of keynotes and some participant presentations are available through Malmö University's video repository, MaU Play: https://play.mau.se/playlist/details/0_dvsr6i1f

Keynote speakers:

  • Dr. habil. Andreas Broeckmann (Leuphana University, Lüneburg, Germany). "Robots versus Machines".
  • Professor Mark Amerika (University of Colorado, US). "Fatal Error: Artificial Creative Intelligence (ACI)".
  • Professor Joanna Zylinska (Goldsmiths University, UK). "Beyond Machine Vision: How to Build a Non-Trivial Perception Machine".

Participants:

  • Arandas, Luís, Mick Grierson, and Miguel Carvalhais. "Continuous Contributions of Artificial Agents in Performance Regarding Static Artefacts".
  • Ashton, Daniel. "Assembling Creative Work Futures: Automation and Portfolio Working in the Creative Economy".
  • Axhamn, Johan. "EU Copyright Law and AI".
  • Balfour, Lindsay. "Beauty is in the Eye of the Algorithm: Artificially Intelligent Creativity and its Ethical Implications".
  • Carvalhais, Miguel and Rosemary Lee. "Spectral and Procedural: A Perspective on Artificial Creativity Through Computational Art".
  • Chia, Aleena. "Agency and Automation in Digital Game Production".
  • Chow, Pei-Sze. "Ghost in the (Hollywood) machine: emergent applications of artificial intelligence in the film industry".
  • Coelho, Inês Rebanda. "Authorship of fictional texts generated by AI".
  • Feher, Katalin. "Narrow AI results in narrow creativity: Concepts of creative process in a decade’s perspective from media to art".
  • Gallagher, Brad. "Do GPT-2s Dream of Electric Poetry?"
  • Goddard, Valentine. "Art can shape how AI is governed".
  • Ivanova, Nevena. "Computational Creativity: A Philosophical Study".
  • Kadish, David. "Designing Endemic Robots: An Experiment in Sound".
  • Koh, Immanuel. "AI-Urban-Sketching in the Age of COVID-19".
  • Leach, Neil. "AI and The Limits of Human Creativity".
  • Maraffi, Christopher. "Sherlock Frankenstein: Transmedia Character Design with AI Breeding Tools".
  • McGarrigle, Conor. "Art Washing Machine Learning".
  • Muia, Julian. "Downstream: New Developments in Algorithmic Composition and Music Streaming".
  • Olszewska, Anna. "Reflections on machine situationism".
  • Stephensen, Jan Løhmann. "Artificial Creativity, Anthropocentrism and Post-Creativity – The Political Stakes".
  • Trillo, Roberto Alonso, Peter Nelson, Daniel Shanken, François Mouillot, Mathis Antony, Ryan Au, and Maya Duan. "Collaborative Artistic Production Using Generative Adversarial Networks".
  • Wagman, Kelly B. "Ambii: An Ambient & Non-Anthropomorphic Digital Assistant".
  • Wasielewski, Amanda. "What role can AI play in the creation and study of art?"
  • Wellner, Galit. "Layers of Imagination".
  • Willcox, Stacey. "Artificial Synaesthesia: An exploration of machine learning image synthesis for soundscape audio visualisation".

The conference also featured a virtual exhibition in Mozilla's Hubs with the following presentations:

  • Emard, Justine. "Supraorganism"
  • Partadiredja, Reza Arkan, Davor Ljubenkov, and Carlos Alejandro Entrena Serrano. "AI or Human?"
  • Goddard, Valentine. "Introducing the 'AI on a Social Mission' conference".

The virtual exhibition was produced by Maria Engberg and Jay David Bolter within the research project "Virtual conferencing to promote research and scholarly exchange during the current pandemic and possible future disruptions".

Emneord
artificial intelligence
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-36965 (URN)
Prosjekter
The Robot as a Technocultural Icon (RoboIcons)
Forskningsfinansiär
Riksbankens Jubileumsfond
Tilgjengelig fra: 2020-11-26 Laget: 2020-11-26 Sist oppdatert: 2023-07-04bibliografisk kontrollert
Dorthé, L., Olsson, A., Spikol, D., Spalazzese, R., Linde, P., Leckner, S., . . . Topgaard, R. (2018). Forskarnas galleri #5: People have the power: IOTAP on exhibit.
Åpne denne publikasjonen i ny fane eller vindu >>Forskarnas galleri #5: People have the power: IOTAP on exhibit
Vise andre…
2018 (engelsk)Kunstnerisk output (Ogranskad)
Abstract [sv]

Överallt samlar sensorer data som analyseras för att räkna ut hur man sparar energi, hur mycket insulin som ska injiceras, var den närmaste hyrbilen finns, hur många människor som fortfarande är kvar inne i en brinnande byggnad... Denna snabba spridning av teknik kallas för Sakernas Internet, eller IoT. Människor har makten, eller har vi verkligen det? Hur mycket värderar vi vår integritet? Vilka internetanslutna gadgets hjälper oss att leva ett hälsosamt och hållbart liv - och vilka prylar kommer bara att öka vår stressnivå? När blir användningen missbruk? Utställningen undersöker hur IoT påverkar människor, samhälle och industri. Forskningsprojekt i utställningen: Emergent Configuration for IoT Systems (ECOS+), Smart energy management and security (SEMS), Fair Data, Walk the ward, Dynamic Intelligent Sensor-Intensive Systems (DISS), PELARS-projektet och Busrunner presenteras i "IOTAP-labbet"

Abstract [en]

All around us sensors collect data, which is analyzed to figure out how to save energy, how much insulin to inject, where the closest rental bike is located, how many people are still inside a building that is on fire… This fast-spreading technology is called the Internet of Things, or IoT for short. People have the power, or do we really? How much do we value our privacy? What internet connected gadgets will help us lead a healthy, sustainable life – and what gadgets will only increase our stress level? When does use become abuse? This exhibition explores how IoT affects people, society and industry. You are welcome to try out IoT through demos and hands-on experiences based on research projects at Malmö University. Research projects in the exhibition: Emergent Configuration for IoT Systems (ECOS+), Smart energy management and security (SEMS), Fair Data, Walk the ward, Dynamic Intelligent Sensor-Intensive Systems (DISS), PELARS project and Busrunner are presented in the "IOTAP-lab"

Emneord
IOTAP, Internet of things, technology, IoT
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-8207 (URN)28647 (Lokal ID)28647 (Arkivnummer)28647 (OAI)
Merknad

People have the Power is a joint production by Malmö University Library and the research center Internet of Things and People (IOTAP) and have been supported by the Sten K Johnson Foundation.

Tilgjengelig fra: 2020-02-28 Laget: 2020-02-28 Sist oppdatert: 2023-12-28bibliografisk kontrollert
Alm, A.-K., Esbjörnsson, M., Jacobsson, A., Ramsten, A.-C., Rehme, J., Reinhold, M., . . . Värbrand, P. (2016). Vägen till samverkanssäkrad utbildning (ed.). : Linköpings universitet
Åpne denne publikasjonen i ny fane eller vindu >>Vägen till samverkanssäkrad utbildning
Vise andre…
2016 (svensk)Rapport (Annet vitenskapelig)
Abstract [sv]

Kunskapsutbyte och samverkan mellan lärosäten och andra aktörer i samhället är viktigt för att vi ska kunna möta morgondagens utmaningar. Man måste arbeta över sektorsgränser, inte bara inom forskning utan också inom utbildning. “Vägen till samverkanssäkrad utbildning: metoder och strategier” handlar om hur samverkan kan integreras i högre utbildning. Slutsatserna baseras på de erfarenheter som gjorts i projektet Samverkanssäkrade utbildningsprogram som letts av lärosätena i Linköping, Malmö och Umeå. Publikationens andra del, “Möjligheter och utmaningar”, berättar ett antal historier ur samverkansvardagen. // Att med andra samhällsaktörer samverka kring utformningen av utbildningsprogram och i undervisningen bidrar till kvalitetsutveckling och säkerställer att utbildningen är till nytta för samhället. Samverkan förbereder också studenterna för ett livslångt lärande och underlättar övergången mellan utbildning och arbetsliv. För att man långsiktigt ska kunna integrera samverkan i utbildningsprogram krävs insatser på flera nivåer. Till exempel måste lärosätesledningar ta tydlig ställning i samverkansfrågan i sina styrdokument, och samverkansaspekten måste vara en självklar del av lärosätets kvalitetssäkringssystem. Det krävs också att ledningen för fakulteter och institutioner utformar system för dokumentation, styrning och uppföljning av samverkan. Vidare bör samverkan ingå i de pedagogiska modeller som lärare använder för att leda studenternas kunskapsutveckling, och lärosätena bör också uppmärksamma och belöna framgångsrikt samverkansarbete. Slutligen bör politiker och departement utforma ett fördelningssystem där framgångsrika samverkansinsatser inom utbildningen leder till en förstärkning av resursbasen på lärosätena.

sted, utgiver, år, opplag, sider
Linköpings universitet, 2016. s. 152
Emneord
samverkan, högre utbildning, offentlig sektor, näringsliv, idéburen sektor, utbildningsprogram, utbildningskvalitet
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-13604 (URN)20440 (Lokal ID)978-91-7104-673-4 (ISBN)978-91-7104-675-8 (ISBN)20440 (Arkivnummer)20440 (OAI)
Tilgjengelig fra: 2020-02-29 Laget: 2020-02-29 Sist oppdatert: 2022-09-05bibliografisk kontrollert
Björgvinsson, E., Ehrndal, M., Rosenqvist, K., Steijn, A. M., Topgaard, R., Wellejus, A., . . . Wille, J. I. (2014). How the lion learned to moonwalk and other stories on how to design for classical music experiences (ed.). Malmö University
Åpne denne publikasjonen i ny fane eller vindu >>How the lion learned to moonwalk and other stories on how to design for classical music experiences
Vise andre…
2014 (engelsk)Rapport (Annet vitenskapelig)
Abstract [en]

Live classical music is facing considerable challenges. How can philharmonic orchestras, organizations that are heavily rooted in the past, become more democratic and better connected to the societies they are situated in? Through collaboration across institutional borders and knowledge domains, the Designing Classical Music Experiences project had the ambition to develop new spatial and mediated audience experiences, and to reach new audiences in the Øresund Region. The vision was nothing less than to democratize classical music. One of the premises of the project was to involve musicians, designers, researchers, students, audience members – and many others – in the design- and development processes. Another premise was to enhance and extend the concert experience through visualizations and other types of visual arts. A number of conclusions related to ‘organizational challenges’, ‘audience engagement’, and ‘media and technologies’ are presented and further developed in this book. The first section of the book accounts for two perspectives on how to work with live classical music and audiences from a designer’s point of view. The second section of the book give detailed accounts of the most high-profiled case studies the project has worked with.

sted, utgiver, år, opplag, sider
Malmö University, 2014. s. 98
Emneord
classical music, design, interaction design, co-creation, audience engagement, participatory design, liveness, interactive installations, performing arts
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-13332 (URN)18116 (Lokal ID)978-91-7104-619-2 (ISBN)978-91-7104-620-8 (ISBN)18116 (Arkivnummer)18116 (OAI)
Merknad

A companion guide to this publication is available at http://cmec.mah.se/

Tilgjengelig fra: 2020-02-29 Laget: 2020-02-29 Sist oppdatert: 2022-06-27bibliografisk kontrollert
Ehn, P., Nilsson, E. M. & Topgaard, R. (2014). Introduction. In: Pelle Ehn, Elisabet M Nilsson, Richard Topgaard (Ed.), Pelle Ehn, Elisabet M Nilsson, Richard Topgaard (Ed.), Making futures: marginal notes on innovation, design, and democracy (pp. 1-13). MIT Press
Åpne denne publikasjonen i ny fane eller vindu >>Introduction
2014 (engelsk)Inngår i: Making futures: marginal notes on innovation, design, and democracy / [ed] Pelle Ehn, Elisabet M Nilsson, Richard Topgaard, MIT Press, 2014, s. 1-13Kapittel i bok, del av antologi (Annet vitenskapelig)
sted, utgiver, år, opplag, sider
MIT Press, 2014
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-9430 (URN)31218 (Lokal ID)9780262027939 (ISBN)31218 (Arkivnummer)31218 (OAI)
Tilgjengelig fra: 2020-02-28 Laget: 2020-02-28 Sist oppdatert: 2022-06-27bibliografisk kontrollert
Ehn, P., Nilsson, E. M. & Topgaard, R. (Eds.). (2014). Making futures: marginal notes on innovation, design, and democracy. MIT Press
Åpne denne publikasjonen i ny fane eller vindu >>Making futures: marginal notes on innovation, design, and democracy
2014 (engelsk)Collection/Antologi (Fagfellevurdert)
Abstract [en]

Innovation and design need not be about the search for a killer app. Innovation and design can start in people’s everyday activities. They can encompass local services, cultural production, arenas for public discourse, or technological platforms. The approach is participatory, collaborative, and engaging, with users and consumers acting as producers and creators. It is concerned less with making new things than with making a socially sustainable future. This book describes experiments in innovation, design, and democracy, undertaken largely by grassroots organizations, non-governmental organizations, and multi-ethnic working-class neighborhoods. These stories challenge the dominant perception of what constitutes successful innovations. They recount efforts at social innovation, opening the production process, challenging the creative class, and expanding the public sphere. The wide range of cases considered include a collective of immigrant women who perform collaborative services, the development of an open-hardware movement, grassroots journalism, and hip-hop performances on city buses. They point to the possibility of democratized innovation that goes beyond solo entrepreneurship and crowdsourcing in the service of corporations to include multiple futures imagined and made locally by often-marginalized publics.

sted, utgiver, år, opplag, sider
MIT Press, 2014. s. 352
Emneord
participatory design, design for social innovation, infrastructuring, commons, interaction design, media and communication studies, new publics, new media, collaborative media
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-8384 (URN)17985 (Lokal ID)9780262027939 (ISBN)17985 (Arkivnummer)17985 (OAI)
Tilgjengelig fra: 2020-02-28 Laget: 2020-02-28 Sist oppdatert: 2024-06-11bibliografisk kontrollert
Björgvinsson, E., Birt, A., Cuartielles, D., Davidsson, P., Ehn, P., Ginslov, J., . . . Topgaard, R. (2012). Prototyping Futures (ed.). Malmö university
Åpne denne publikasjonen i ny fane eller vindu >>Prototyping Futures
Vise andre…
2012 (engelsk)Rapport (Annet vitenskapelig)
Abstract [en]

Prototyping Futures gives you a glimpse of what collaborating with academia might look like. Medea and its co-partners share their stories about activities happening at the research centre – projects, methods, tools, and approaches – what challenges lie ahead, and how these can be tackled. Examples of highlighted topics include: What is a living lab and how does it work? What are the visions behind the Connectivity Lab at Medea? And, how can prototyping-methods be used when sketching scenarios for sustainable futures? Other topics are: What is the role of the body when designing technology? What is collaborative media and how can this concept help us understand contemporary media practices? Prototyping Futures also discusses the open-hardware platform Arduino, and the concepts of open data and the Internet of Things, raising questions on how digital media and connected devices can contribute to more sustainable lifestyles, and a better world.

sted, utgiver, år, opplag, sider
Malmö university, 2012. s. 125
Emneord
collaborative media, participatory design, living labs, Internet of Things, interaction design, Medea Collaborative Media Initiative, prototyping, open data, open hardware, place-centric media, co-production, samverkan, artistic research, innovation, social innovation, design for social innovation, design
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-13250 (URN)18117 (Lokal ID)18117 (Arkivnummer)18117 (OAI)
Tilgjengelig fra: 2020-02-29 Laget: 2020-02-29 Sist oppdatert: 2024-05-20bibliografisk kontrollert
Lindstedt, I., Löwgren, J., Reimer, B. & Topgaard, R. (2009). Nonlinear news production and consumption: A collaborative approach (ed.). Computers in Entertainment, 7(3), 1-17
Åpne denne publikasjonen i ny fane eller vindu >>Nonlinear news production and consumption: A collaborative approach
2009 (engelsk)Inngår i: Computers in Entertainment, ISSN 1544-3574, E-ISSN 1544-3981, Vol. 7, nr 3, s. 1-17Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

People depend on news to make sense of happenings in the world, but current digital news products do not live up to their potential in this regard. Interactivity in relation to news is often seen as a way to give the consumer control over when to consume something and on which platform. Less attention has been placed on what should be consumed and how. Within the project MyNewsMyWay, a news service was constructed that makes possible a more in-depth and varied media consumption than what traditional news services offer today. In the follow-up design study OurNewsOurWays, additional attention was put on the possibility of combining professional news material with user-generated content.

sted, utgiver, år, opplag, sider
ACM Digital Library, 2009
Emneord
interaction design, nonlinear news
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-14329 (URN)10.1145/1594943.1594954 (DOI)2-s2.0-70349869624 (Scopus ID)9503 (Lokal ID)9503 (Arkivnummer)9503 (OAI)
Tilgjengelig fra: 2020-03-30 Laget: 2020-03-30 Sist oppdatert: 2024-02-05bibliografisk kontrollert
Larsson, H., Lindstedt, I., Löwgren, J., Reimer, B. & Topgaard, R. (2008). From timeshift to shapeshift: Towards nonlinear production and consumption of news (ed.). In: (Ed.), Manfred Tscheligi; Marianna Obrist; Artur Lugmayr (Ed.), Changing Television Environments (Proc. EuroITV 2008): . Paper presented at 6th European Conference, EuroITV 2008, Salzburg, Austria, July 3-4, 2008 (pp. 30-39). Springer
Åpne denne publikasjonen i ny fane eller vindu >>From timeshift to shapeshift: Towards nonlinear production and consumption of news
Vise andre…
2008 (engelsk)Inngår i: Changing Television Environments (Proc. EuroITV 2008) / [ed] Manfred Tscheligi; Marianna Obrist; Artur Lugmayr, Springer, 2008, s. 30-39Konferansepaper, Publicerat paper (Fagfellevurdert)
Abstract [en]

People depend on news to make sense of happenings in the world, but current digital news products do not live up to their potential in this regard. Interactivity in relation to news is often seen as a way to give the consumer control over when to consume something and on which platform. Less attention has been placed on what should be consumed and how. Within the project MyNews- MyWay, a news service has been constructed that makes possible a more in-depth and varied media consumption than what traditional news services offer today. In addition to time-shifting, the service makes it possible to shift also the shape of the material consumed. 

sted, utgiver, år, opplag, sider
Springer, 2008
Serie
Lecture Notes in Computer Science, ISSN 0302-9743, E-ISSN 1611-3349 ; 5066
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-16445 (URN)10.1007/978-3-540-69478-6_4 (DOI)000259295000004 ()2-s2.0-48949086070 (Scopus ID)7205 (Lokal ID)978-3-540-69477-9 (ISBN)978-3-540-69478-6 (ISBN)7205 (Arkivnummer)7205 (OAI)
Konferanse
6th European Conference, EuroITV 2008, Salzburg, Austria, July 3-4, 2008
Tilgjengelig fra: 2020-03-30 Laget: 2020-03-30 Sist oppdatert: 2024-06-18bibliografisk kontrollert
Nordesjö, K., Topgaard, R., Ek, A.-C. & Tranquist, J. (2008). Självklar mångfald - oklar strategi (ed.). Malmö högskola
Åpne denne publikasjonen i ny fane eller vindu >>Självklar mångfald - oklar strategi
2008 (svensk)Rapport (Annet vitenskapelig)
Abstract [sv]

På uppdrag av Kultur Skåne har Malmö högskola genomfört en kartläggning av mångfaldsarbetet vid scenkonstinstitutionerna i Region Skåne. Studien har ett enomgripande mångfaldsperspektiv och har inneburit att ur ett kultursociologiskt perspektiv kartlägga arbetet med mångfald på regionens dans-, teater- och musikinstitutioner. Syftet har varit att få en överblick över hur mångfaldsarbetet ser ut vad gäller såväl organisation, rekrytering, produktion, som publikarbete. Författarna arbetar på Enheten för kompetensutveckling och utvärdering på Malmö högskola, och rapporten SJÄLVKLAR MÅNGFALD – OKLAR STRATEGI är en rapport från enhetens rapportserie Malmö högskolas utvärderingsrapporter.

sted, utgiver, år, opplag, sider
Malmö högskola, 2008. s. 92
Serie
Malmö högskolas utvärderingsrapporter, ISSN 1654-7462 ; 1
Emneord
utvärdering, mångfald
HSV kategori
Identifikatorer
urn:nbn:se:mau:diva-12994 (URN)6554 (Lokal ID)978-91-7104-044-2 (ISBN)6554 (Arkivnummer)6554 (OAI)
Tilgjengelig fra: 2020-02-29 Laget: 2020-02-29 Sist oppdatert: 2024-01-19bibliografisk kontrollert
Prosjekter
Nya produktions- och konsumtionsmöjligheter för gräns-överskridande medier; Malmö universitet, Fakulteten för kultur och samhälle (KS), Institutionen för konst, kultur och kommunikation (K3)Musikalisk upplevelsedesign; Malmö universitet
Organisasjoner